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Vacancy is one of those films that has the classic setup of most redneck horror flicks: a couple, or a small group of people, take a shortcut off the main road and just happen to have car trouble in the exact wrong place if one were trying to avoid psychos.  Whether or not this setup is a success depends on how many more cliches the filmmakers can pile on the proceedings, or at the very least, avoiding being dumb.

The couple in this film is Amy (Kate Beckinsale) and David Fox (Luke Wilson), who are about to get a divorce, mainly brought on by the death of their son.  They are driving from Amy’s parents’ wedding aniversary party after putting up appearances that they’re still happily married.  On the way back, David takes a shortcut, they have car trouble, and it’s not long before they’re staying in a desolate hotel for the night.

The concierge is a creepy type named Mason (an almost unrecognizable Frank Whaley), who has taken his Norman Bates peepshow one step further by installing hidden cameras in one particular room.  David, looking for something to watch, finds some videotapes, all depicting people getting murdered, all in that very room.  Apparently, Mason and his cohorts (including one played by Ethan Embry), are taping real snuff films and selling them on the black market.  David and Amy have to figure out how in the world they’ll escape when there’s no cell phone service and the pay phone dials directly to the concierge.

Short and sweet, Vacancy is a decent thriller with good use of the scope frame: it’s one of the rare scary movies that make you dread what might pop up in any area of the screen.  Eventually, after all of the secrets are revealed, it becomes your basic run and chase film, with a hapless cop thrown into the mix.  So it’s your everyday solid time-waster.